Da Vinci System: 感動的一刻 (開放月)
致各位AE兄弟,
我覺得這套系统已達致"在我本人音路歷程"前所未到的境界, 所以極之希望和大家分享. 需時三年才明白怎樣把這系统發揮到淋漓盡至的境界. 各樂器應有的音色, 表現者的風格, 而及管弦樂總體的音色和諧感是我暫時從未在其他系统感受過. 人聲的密度與其中高能量的爆發力和迅變, 和背景伴奏的樂團仍時刻保持溝通和默契. 小提琴悠揚的音色不會被鋼琴家用了paddle後的延長音被蓋, 因為這套系统的透明度連這些sustain音都能一一和小提琴的泛音盡現, 完全沒有混成一堆"空氣感".
在這小小的房間內播Mahler 5本應當是"不是味兒", 但我可肯定整個樂章的緊湊感不但止是一氣呵成, 而且氣承轉合的過程的細緻可論得上是"絲絲入扣", 當號角和喇叭聲響起時, 帶點金屬亮麗的泛音激發起一種希望的感覺, 然後再由左手面的弦樂組帶我進入思念的空間. 當群奏直上雲霄的時候, 我有一種整個樂團衝上小宇宙之感覺.
調較人聲用了最多時間: 女高音 (Kathleen Brittle), 男低音 (Byrn Terfel), Belafonte at Carnegie Hall (帶Latin American口音的聲音), 以及陳亦信和張學友. 當所有聲都pass, 當一播Eason Chan又覺得他的假高音不夠, 較好了後, 又到Byrn喉嚨聲和肺氣不夠. 此part比Mahler 5更難, 但最後搞掂.
我真的覺得有須要和各AE兄弟分享, 由於地方淺窄, 但仍能希望你地能帶一個朋友來指教下.
此系统如下:
1. Orpheus Zero (Frank's reference feet underneath)
2. Vekian signature DAC (SMR EE BNC TO BNC digital cable)
3. Music First Reference Passive Preamp
4. Grandezza Mono Drivers (Emission Lab 300B tubes)
5. Grandezza Mono PSE 300B amplifiers (Emission Lab 274A,
曙光珍品300B tubes one pair per channel)
6. All interconnects are Flow XLR
7. All powercords are Level One or Level 0.5
8. Kyoto京都級排穌; ORB旗艦"熱情" 電源線主線入京都
9. Another set of Franck's reference feet under the Kyoto
10. Da Vinci Intonation speakers
11. Tailor made Super Tweeter by RAAL
12. 三對喇叭線 Tri-Wire 去 Intonation (Flow spk cable 去超高)
13 ALL equipments sit under SRA OHIO XL+2 boards
14. The room is treated by Franck's sugar cubes, Glasshoper etc.
若此系統令大家失望, 請多多包涵.
Piano Tuner
我覺得這套系统已達致"在我本人音路歷程"前所未到的境界, 所以極之希望和大家分享. 需時三年才明白怎樣把這系统發揮到淋漓盡至的境界. 各樂器應有的音色, 表現者的風格, 而及管弦樂總體的音色和諧感是我暫時從未在其他系统感受過. 人聲的密度與其中高能量的爆發力和迅變, 和背景伴奏的樂團仍時刻保持溝通和默契. 小提琴悠揚的音色不會被鋼琴家用了paddle後的延長音被蓋, 因為這套系统的透明度連這些sustain音都能一一和小提琴的泛音盡現, 完全沒有混成一堆"空氣感".
在這小小的房間內播Mahler 5本應當是"不是味兒", 但我可肯定整個樂章的緊湊感不但止是一氣呵成, 而且氣承轉合的過程的細緻可論得上是"絲絲入扣", 當號角和喇叭聲響起時, 帶點金屬亮麗的泛音激發起一種希望的感覺, 然後再由左手面的弦樂組帶我進入思念的空間. 當群奏直上雲霄的時候, 我有一種整個樂團衝上小宇宙之感覺.
調較人聲用了最多時間: 女高音 (Kathleen Brittle), 男低音 (Byrn Terfel), Belafonte at Carnegie Hall (帶Latin American口音的聲音), 以及陳亦信和張學友. 當所有聲都pass, 當一播Eason Chan又覺得他的假高音不夠, 較好了後, 又到Byrn喉嚨聲和肺氣不夠. 此part比Mahler 5更難, 但最後搞掂.
我真的覺得有須要和各AE兄弟分享, 由於地方淺窄, 但仍能希望你地能帶一個朋友來指教下.
此系统如下:
1. Orpheus Zero (Frank's reference feet underneath)
2. Vekian signature DAC (SMR EE BNC TO BNC digital cable)
3. Music First Reference Passive Preamp
4. Grandezza Mono Drivers (Emission Lab 300B tubes)
5. Grandezza Mono PSE 300B amplifiers (Emission Lab 274A,
曙光珍品300B tubes one pair per channel)
6. All interconnects are Flow XLR
7. All powercords are Level One or Level 0.5
8. Kyoto京都級排穌; ORB旗艦"熱情" 電源線主線入京都
9. Another set of Franck's reference feet under the Kyoto
10. Da Vinci Intonation speakers
11. Tailor made Super Tweeter by RAAL
12. 三對喇叭線 Tri-Wire 去 Intonation (Flow spk cable 去超高)
13 ALL equipments sit under SRA OHIO XL+2 boards
14. The room is treated by Franck's sugar cubes, Glasshoper etc.
若此系統令大家失望, 請多多包涵.
Piano Tuner
0
Comments
The memory of my last visit to the Da Vinci is still cast as the benchmark sound AND that was a few months ago. Am sure it has improved leaps and bounds to warrant your unreserved certification.
The big suprise is that only Argento level 1/0.5 are used to drive this state-of-art system. This "back to the basic" approach is a shocking revelation to me.
Do save me a spot this month to experience the achievement.
由於訊源部份一早已用上了京都骨, 所以一早便知道它帶來的全面進步, 但當amp都經京都取電後, 我冇想到進步仍可令我驚呀.
Again, I came prepared to be stunned...yet....I was 'over' stunned....Mr Ken Chiu, you have to go there and listen to Eason Chan concert...it is like REAL and I am no joking. You were the recording engineer and you will be shocked by the level of how it s reproduced in PT's system. I listen to this CD many many times in PT's previous system and I give the highest praises to what I listened tonight...
Marvel
Marvel
I had no idea what PT wrote in Chinese but he is someone that never bluffs. I trust the performance is great. But... how great is great? You got to tell us more.
今天晚上, alecy會帶Zimmerman的Rachmaniov Piano Concerto來測試這套DV系统. 我最好興係大家交流, 互相欣賞, 再接再勵的精神. 在末來一個月裡, 相信有很多建設性的意見. 在我應知能力以內的已全部用上了此系统. 美中不足都是房間不夠讓應有的空間發展擴散.
After a day of run-in, I can confirm that there is a real improvement in overall transparency and the amp is running a touch warmer.
PT,
Look fwd to this encounter and long to hear how the Rach plays out through your system.
I was told not even a single pair of FMR interconnects are being used. Just the small brother Flow, which we know well that it is nowhere near to the ultra performance of the FMR.
What makes it tick?
Marvel