Of course I am still having TronSyren and using 211 (Stereo version) is always in my target list. It may be my 2009 project after I have a detailed exposure of the Japanese master reference which is coming close!!
The big engines are still under burn-in period and are waiting for the arrival of SRA boards, but my first impression of their performance is already very very positive. Ito-san will come to visit me next Tuesday, I will share more with you guys right after his visit. In the mean time I will be busy with the retuning of room acoustics and speaker positioning.
Which LP system I will pick? It's too early to say, I have to check around carefully before biting the bullet though B table is really a good choice.
I don't have any intention to purchase the crazy rack now but rather to spend the money on more SRA boards.
Dso, we are both big fans of Wavac. What's your opinion of Wavac phono? I have the tidal phono and the wavac phono. Depending on application, I find it difficult to use one phono to suit all kind of music well.
The bergman is good, neutral, uncolored and balance.
Though I am a LP idiot, I still have high confidence in Wavac phono. I do agree with you that one phono cannot suit all kind of music and that was how I experienced when listening to DV and Tidal in PT's place.
The audition last night was without SRA, Lap Hing will lend me his tomorrow for Ito-san's visit. Very anxious to know the result! Fortunately my SRA will arrive later this week, I therefore don't need to make some excuses to keep Lap Hing's SRA.
Comments
Marvel
833v1.3 is now pushed back to late June. Ito san will tentatively come to Hong Kong in the weekend of July 18-20.
No worry, after so many years, I start to enjoy the pain of expecting and often at a loss when it is finally delivered. Same experience with yoyo...
Marvel
To be continued......
After SRA arrive, try consider craz rack.......i believe it will refine your shocking huge soundstage to further level.
Which LP system I will pick? It's too early to say, I have to check around carefully before biting the bullet though B table is really a good choice.
I don't have any intention to purchase the crazy rack now but rather to spend the money on more SRA boards.
The bergman is good, neutral, uncolored and balance.
在好奇心驅使下, 昨晚我去了Dso家聽Wavac HE833v1.3推Cessaro, 我聽的曲目包括Hilarry Hahn的Sibelius Violin Concerto, Byrn Terfel演繹的莫托特歌劇內數首曲目, Diana Krall Live in Paris的Track 3 and Track 11, 和Pollini彈的Mozart Piano Concerto Number 23, 以及鬼太鼓等. 我十分專注地聽, 同時也十分專注地去思考以下聽察到的特點:
1. 150 watt Class A的power下, 背景靜如深海
2. SET線路在表現彈鋼琴的指法彈跳力十分自然, 連手指尾的丁點兒勁力也能感受無遺, 是自然的發出來, 而不是push出來
3. 高效率的Cessaro原來也要大power才能顯露真正本色
4. 人聲厚潤但仍保持高解象的分析力, Diana Krall略帶磁性的聲音健在之如更帶有點少許加拿大的寒意在聲線內
整個系统十分之Expressive, 我在臨離之前聽Bryn Terfel唱費加羅的婚禮其中一段, Bryn的Baritone唱腔十分之雄壯有勁, vocal能量的迅變和起落令我心歡喜若狂, Byrn在中高頻的音色而然保持一貫略帶暖意的華麗感.
在高潮時, 背後的樂團有一種被他指揮著的感覺, 但非高潮時卻也有溝通的時候. 十分精彩.
我現在終於明白Dso的亢奮.
Though I am a LP idiot, I still have high confidence in Wavac phono. I do agree with you that one phono cannot suit all kind of music and that was how I experienced when listening to DV and Tidal in PT's place.
The audition last night was without SRA, Lap Hing will lend me his tomorrow for Ito-san's visit. Very anxious to know the result! Fortunately my SRA will arrive later this week, I therefore don't need to make some excuses to keep Lap Hing's SRA.