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Re: The Age of Goebel AEON has arrived for the next decade
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Re: The Age of Goebel AEON has arrived for the next decade
Macy87, The excitement on Esprit stems from the continuous journey where we (particularly myself) are hearing the evolutionary and revolutionary steps taken by PT on his home system to reach the stage minus the Esprit cables. Only myself have auditioned this Step N+1 while many were shocked already in Step N. You won’t… -
Re: The Age of Goebel AEON has arrived for the next decade
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Re: The Age of Goebel AEON has arrived for the next decade
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Re: The Age of Goebel AEON has arrived for the next decade
Last time when Mr Dynamic came to my home was more than 1 year ago. I did a session on Don Quixote conducted by Karajan (Esoteric SACD). Subsequent technical discussions centred around the theme of symphonic poem for 2.5 hours. -
Re: The Age of Goebel AEON has arrived for the next decade
As usual PT kick-started session #1 by explaining the run down of this so called 「忘不了」song-playing gathering to farewell Goebel's Epogue Reference speaker leaving his home. This is my first time to visit PT's home and also the last time to enjoy a series of selected songs performed by Goebel's Epogue Reference speakers… -
Re: The Age of Goebel AEON has arrived for the next decade
Voy To summarize , Napoleon went to visit PT on last thu and listened to the system playing a variety of music including Mahler 5 and Chinese opera latter of which was not endorsed by Napoleon's mom when being played in his own system. Napoleon went with a skepticism that PT and his system are bluffing like many other… -
Re: The Age of Goebel AEON has arrived for the next decade
音響，新態度 The session, indeed the entire journey PT has walked thru with Epogue Reference is a truest manifestation of the above thematic slogan. For those readers of our local hifi magazines, this slogan should not be unfamiliar. Rather than sharing what I heard in the session, I would like to summarise what I feel: 1.… -
Re: The Age of Goebel AEON has arrived for the next decade
我首先用了石英腳在JMF Audio 3.7 transport之下，大約10小時後才試聽。一次過聽了西奇崇子的梁祝小提琴協奏曲，大約三十分鐘長。我的結論是，所有涵數，並沒有明顯變化。那即是説，此腳十分之中性，沒有改變音色和能量分佈。我拿走它，再播一次，令我依然享受，冇多冇少。從我的經驗，CD transport是對腳十分之敏感，但是這個簡單的實驗，告訴了我以下幾點：（1）JMF Audio已經較好了音色平行度，(2) Audio Replas的石英腳十分之中性，(3) 如我所料，系統已經到達了烏托邦境界，不能期望小改動可以帶來巨變。 -
Re: The Age of Goebel AEON has arrived for the next decade
我對線材的一些觀念：只能是最佳配角 1. 缐材不是配件，因為冇缐開唔到機。 2. 並不存在神線，冇有任何缐材是完全無敵。 好的缐材，是有客觀科技鞏固其賣點，但並不代表他們萬試萬靈。 3. 用錯缐，是有可能screw up the whole system. 4. 但用對了，好難把它拔出來。但不要當缐是主角。 5. 速度和能量，比音色重要。 6. 不依賴缐材調較音色 7. 銀，銅，和合金等導體，我個人喜歡純銀、純銅，可是我不喜歡合金導體（速度較慢，中音較厚）。 8. 缐材的真正價值在於，它能否把硬件的強項發揮到淋漓盡致。
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