An Audiophile Journey's End - 15 years on
Contrary to popular belief that horns are directional drivers which transmit sound directly at its listener, the use of room tuning device such as the sugar cubes on 3 strategic (reflective) places of the wall to deal with reflective sound pressure resulted in getting the exact tonality I wanted, see the position of these little wooden cubes, top one deals with the big horn, middle one for the ... audioexotics.vanillacommunity.com |
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Without proper acoustic treatment, one will never be able to listen to very loud passage. Last Sat. with aircon turned on, the dynamic range went from 43 dB to 115 dB. If you are sitting in the middle of the 5th-8th row in the concert hall, you'' may be able to experience this sensation.0
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Mr Zanden,
I agree with all of your experiences especially on speaker positioning. Can you elaborate on this point of your own experiences? Your gigantic horn system, how do you adjust position? I am eager to learn.0 -
Dear RaymondThank you for reading my write-up which I felt was long-overdue as I suspect the majority of hi-fi comrades' systems are not performing to their full potential due to inadequate room acoustic treatment as well as room acoustic problems .My findings from personal experiences, most systems with less-than acceptable sound (to my ears) are attributable to a combination of factors such as speaker placement, room acoustic (or lack of it), incompatible components' matching leading to wrong tonality in sound.I hope this discussion will continue for at least one year until everyone is satisfied with the sound of their system. I have been suffering from 'dissatisfied hi-fi sound syndrome' from 1973 to 2007.I have repeatedly questioned myself very deeply over the years WHY I do this....... that is why I constantly make effort to try to improve the sound of my existing system. The only reason I can think of is a good sounding system which can create an illusion I am almost listening to real music or feeling someone singing/playing in front of me makes me feel HAPPY, I can indulge myself in this very enjoyable and exciting listening session without having to think about or face off the many lingering worries or unpleasant things in life.Enough of this soul searching or self-discovery stuff, once you are satisfied with the latest mix and match of your hi-fi system, the only way to test this is to listen to it through your mechanical transducers.Raymond, being a seasoned audiophile, I'm sure you are familiar with the traditional method of speaker placement by experimenting with one speaker first and listen on mono music, then place it in the position with most energy etc. But reality dictates in H.K. with its very limited space in the listening area, audiophiles don't have much room to maneuver (this is a blessing in disguise).If I'm not mistaken, you have 4 monoliths in your hi-fi den and if your electronic crossover is a digital make, then the bass unit should be placed slightly in front of your speaker for proper bass reproduction. As our speakers are very different, horns are directional and Cessaro tweeters and mid-range are open baffled design, they need to be placed not too far away from the back wall for sound reflection but conventional box designed speakers should be placed well away from back wall to reduce colouration.Next move, whether to toe-in or no (or very little) toe-in very much depends on the distance between the speakers and the listener. As my listening position is ridiculously close to the horns, I need to toe-in quite a bit to produce a well-defined sound image. However, if I have a much longer listening distance, much less toe-in will suffice. I also believe conventional box speakers do not require large toe-in, period.Hard and fast rule, once you have positioned your speakers properly (this word is used very loosely), whenever you have changed your component with a little more energy especially in the mid-range region, then you can either move your speaker farther apart by 1-5mm or with slightly less toe-in angle, the opposite applies if new component has less energy in the mid-range.Well, I wish life is as simple as I have stated above but we must start somewhere, right. The sole problem in preventing your system from producing decent sound is the listener is unaware of the problem in the sound of his/her system. Over the years, when audiophiles have visited my hi-fi den, they comment after hearing my system, they now realise their system sound lean, cold, anemic and less musical.Perhaps one day I may have the privilege of inviting you over to listen to my system so that you fully understand what I have been driving at all these years of what the fuss is all about in proper hi-fi sound reproduction in a domestic environment.Audiophiles are very different type of animals, normally one will not invite a stranger to your home to have lunch/dinner but they will usually welcome strangers to listen to their system, perhaps to share their happiness ?Happy listening.Mr Z0
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Dear Mr. Zanden,
I would like to ask if it is convenient for you to post demonstrative videos of your sophisticated Hi-Fi system on YouTube.
If the answer is yes, then we can enjoy 70%-80% audio quality of your superb music collection because YouTube videos now unofficially support PCM 24-bit 48 kHz.
Thanks a lot for sharing your invaluable audiophile experience with us!
Yours sincerely,novice
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Mr.Zanden’s spirit is timeless.0
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Keep it coming, Mr Zanden!0
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Part two : Speaker Placement
I would very much like to wager a bet that most of audiophiles’ speakers are not properly positioned leading to lack of a solid central image on vocals or instrument, slightly blurring imaging and vague soundstage.
I want to repeat there are many roads to Rome, so therefore, my latest two cents on proper speaker placement below is just one of the many different ways you can experiment to optimize speaker positioning.
I thought I have positioned my speakers almost spot on recently, two weeks ago, hi-fi comrade Roman invited Mr Dynamic and MichaelM to come over to listen to my system. Mr Dynamic commented the image of the snare drum of one CD track I played to him was a little too high. Although the next day, he messaged me, after listening to the same track in his home, the height/image of this particular snare drum was the same.
Being a near perfectionist, at the spur of a moment, I removed all the acoustic tweak on the back wall of my hot seat which I had spent hundred of hours in tweaking to achieve latest sound effect and rearranged them all over again. To my surprise and relief, this process took roughly one day to achieve the sound effect which had satisfied me. This week, I moved my speakers 1 mm at a time to optimize the sound picture of the music I play to create an almost 3-dimensional sound stage with uncannily true-to-life vocal image.
I have collected a selection of this female singer's most famous recording (she's one of my favourite singers) over the years.
Let’s start together to position your speakers with an old CD that all seasoned audiophile in HK, Taiwan and Mainland China (Singapore and Malaysia included) has in his/her collection - 蔡琴老歌 (Tsai Chin – Old songs, if you don’t have this one, use Eva Cassidy Live at Blues Alley and play in reverse phase) ). This cd is loved by owners of bookshelf and small standing speakers due to its precise vocal image and bass but loathed by those who have large speakers because if they are not positioned properly, her vocal recording on track 1 has nasty sibilance and bass can be woolly and very often boomy, that’s why you do not get to hear it play in public hi-fi events or showrooms these days.
This is a very tricky CD to play, trust me as I have listened to it on over 100 systems since its first release in 1985.
Let’s get some factual parameters into proper perspective. First, the vocal is pretty transparent but if your lower mid-bass and bass are boomy, the vocal will not be. Although the bass is boomy and can resonate in a very nasty way with your room, in my system and present acoustically-tweaked room, the bass note always hit the floor and never bounces above your bum.
Her voice when played in a proper setting should be rock solid, you can "see" her mouth moving, she sings through her throat most of the time and you can her voice vibrating (harmonic decay some may call it). Marvel commented the sound when he first heard it in my system that she sounded older here. If she sounds under 40 years of age in your system, your midrange is slightly thin, the correct vocal is a melancholy woman in her early 50’s singing.
Ok, let's hit the play button on track 1, if you hear distinct recording hiss before music comes, you’re playing a tad too loud First, your hear the piano, it doesn’t sound like a concert hall grand piano but you can hear a piano playing in your room on the right hand side and you can hear the lower notes (bass note to some) distinctly, the recording is the pianist is facing the listener, so the lower notes are played from the right hand side.
When the vocal comes, if you hear sibilance, especially if it sounds harsh, your speakers ain’t aligned correctly. Try to move speakers a little closer or if your speaker are widely positioned due to your room, more toe in will do the trick. Once you manage to have a reasonably solid central image, let’s check the bass. If it sounds boomy, it is your room which is resonating in sync with speakers. There are many causes of boomy bass, from my experience and I assume you’re not driving Wilson’s flagship speakers with a Kondo 18 watt integrated amp (yes, I heard this track on this system combo 20 years ago, you can damage this amp by playing Gladiator soundtrack very loud and one channel will be gone – yes, I heard this too), you need to do one of the followings : push speakers closer to back wall or the opposite, move speakers closer together or farther apart. Because bass sound wave bounces all over the room, there’s no preset method of how to control it due to your room size as well fixtures and fittings.
Once the vocal (sibilance) and bass (boom) are tackled successfully, congrats as you can almost play ANY recordings reasonably well from now on. Can you hear her vocal sounding melancholy which touches your heart.
However, to further fine tune the system will be a too laborious and time-consuming endeavour.
Anyway, enough of this, I would be very interested in reading your feedback on how you get on with this CD or LP. Just to reiterate my intention of this write-up is to foster better hi-fi sound reproduction as in my experience, the majority of audiophiles out there are very enthusiastic in changing/upgrading your equipment and never invest in enough time to optimize your speaker placement – tell me do you have a very palpable soundstage in front of you ?
Happy listening and tweaking this weekend.
Mr Z
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FYI: 蔡琴.老歌 Master Tape 母帶 -
TRACK 1 痴痴的等 -https://www.youtube.com/watch?v=6C1T0eTB8HE
TRACK 2 寒雨曲 -https://www.youtube.com/watch?v=yPQQoLe7GI8
P.S. https://www.facebook.com/newcenturyworkshop/posts/pfbid0wgaSEvazhmU7Vhh4WxDE8KhEtrZtPckvJSukmJfDHJQsGVtEy7vdnLKUCAEMgRt4l
6-5-2021 蔡琴.老歌MQA玻璃CD
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