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Re: May Munich Hi-end show
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Re: May Munich Hi-end show
I felt the summary of the show is "misallocation of resources". Some example: 1. Analog Domain Calysto driving Sonas Faber Stardivarius speakers. 2. Constellation phono/pre/power driving the Tidal without Argento cables 3. Tube amplifiers from Greek driving the Cessaro Gamma The result of mismatch was driven by non-audio… -
Re: May Munich Hi-end show
Let me explain it in a very simple way. We always set the arm weight in order to have good touching and tracking for the arm and the platter, right? OK, now, let's destroy this idea. We now use the height of arm board and the height of the platter to adjust and find the best setting for the turntable. We set the arm board… -
Re: May Munich Hi-end show
This is indeed an outstanding system that is hard to put it in words. But what I learnt the most is how to set up the Gabriel turntable that serves as the source of ultimate musicality. But what I am going to write here may not make sense here from the conventional wisdom. But after what Peter had showed me what to do, I… -
Re: May Munich Hi-end show
The Alternate 2011 May Munich M.O.C. high-end show report The much-awaited Thursday finally arrived and after a usual hectic day at work, I proceeded to the airport to meet with the AE duo to board our flight to Munich, my first ever visit to this famous city (I had been to Frankfurt on business several times in the past)…
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