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Re: 御品家訪集 - EEE Home Tour
My turn in the afternoon to try it on the studio in Central. The system is already having 3 FMR EE ground, 1 FMR phono ground, 1 Dalby Kyuku (曲) and 1 meda ground. Yet, the addition of EEE transcends the entire landscape of ground noise mitigation to an unprecedented level! A much lowered ground noise platform transpires… -
Re: 御品家訪集 - EEE Home Tour
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Re: 御品家訪集 - EEE Home Tour
Ever since I joined the “core group", I occasionally sent some recorded songs of my system to PT for his comments. Of course, Marvel has been providing valuable advices from his frequent visits. I do believe my investment in audio equipments, cables and peripherals (e.g. ground box) are highly valuable, particularly… -
Re: 御品家訪集 - EEE Home Tour
米高的野望 最初認識Michael的時候,應該是八年前。他買了部Zanden 1200 phono mark 1,可是我不知道當時他原來是冇喇叭,而是聽耳筒! 十年人事幾番新,Michael今日的系統和AE上環Showroom系統結構是一模一樣:Cessaro Wagner 號角主喇叭,加一對「項羽」超低音,和即將到的「氣刃」180度擴散高音。數碼系統卻是和我家中一樣:JMF Audio DMT 3.7 transport,JMF Audio DAX2.2。模擬系統是Da Vinci的Equilibrium唱盤,配上Durand Tosca 唱臂/Miyajima Lab天命唱頭。前後級是Robert Koda 匠K15EX Super… -
Re: 御品家訪集 - EEE Home Tour
旭日初昇篇 MAC的Goebel神曲侯爵系統總是在Instagram強勁給睛。來自北歐的Engstrom Lars Type II 超級300B推挽式功放,更是稀有難得一見的選擇。無論在實體設計和其極純的音質,令人想入非非,究竟此套前後級和小神曲的互動會產生什麼協同效應呢? MAC的喇叭只是十月份才進入府中,他未開始做任何Room treatment,Troy Signature NG也未到達。他的前級是Robert Koda「匠」 前級,其幼細順滑的特性,和Lars Type 2 的無塵污染極純音質是非常之匹配。他的訊源是Wadax Trio,是解碼也同是一部素碼唱放,唱臂是Thales Simplicity 2,而唱頭是Top…
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